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He will send you into gangland territory, the slums, and areas of the city that you can only dream of living in. Your other constant is a grouchy old man who barks orders at you, “Control” gives the impression that he is on your side, and has a soft spot for you, but all he is interested in, is getting the job done, no matter the cost. His slow mind and witty dialogue will make you laugh throughout. He watches your every move and tries to advise you right from wrong. Camus is your digital sat nav come guardian angel. Hovering from delivery to delivery would be a mind numbing experience if it wasn’t for your constant AI in the form of a car dog. What’s the point in shifting these dodgy packages, if you don’t reap any of the rewards? These objects are nothing more than a distraction, all that matters in Nivalis is people get what they want, when they want, and no one asks them why.

It will also buy you drugs, food, and new clothing. Your bank balance is the gateway to an improved home, and a much better hover car. When the world that you live in is such a dark and grim place, you want your belongings to be the best they can be.

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A mini map gives you an indication of collectable items in the vicinity, and you are free to collect what you want, or ignore them all together. NPC’s will be available to talk to, and street vendors will try to sell you their wares. You will move around the shops and hotels with few limitations. Once you stop in a parking bay, you will enter a 3rd person view. But the beauty for me was in exploring the suburbs, and taking my time observing my surroundings.

Using this motorway area will speed up your journey. Each section of the city is connected with a marked out hyper lane. This freedom to explore was fantastic, and I lost myself for hours hovering around its sprawling boroughs. You can steer between businesses and residential buildings, cruising the air, or aiming to find your next drop off. Your only restriction is the invisible force that prevents the city’s occupants from flying too high or too low. When you are in your vehicle, you are free to move among the glorious high-rises and neon signs. The city is explored by either driving your tanker of a hover car, or on foot (if you have found a suitable place to park). A flautist who must give up on her dreams, earning money anyway she can. So what is the point of this open-world delivery game that has a distinct feeling of 1980s Futurama? Ultimately, you must move each parcel from A to B, collect your wages, and live out your life.Īs you progress, Rania’s backstory gets further explained, you find out why she has ended up as a lowly delivery driver, as she is in fact a talented musician.

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The city is full of different characters that you will interact with, these individuals have little impact on your day-to-day job, but they will add extra tasks for you to complete, and they also make the environment more believable, and bring it to life. Nonetheless, this is the world that you now reside in. Mine was more clean streets and crisp whites, than ghetto slums and sombre tones). The world around you is awash with neon lights, and high-rise buildings (not quite the picture of the future, I had in mind. The work will push your moral compass, but remember the never ask questions rule! You must nod, accept the job, and deliver it to its destination. This seedy business has its employees dealing with the less desirable people from society. This semi-legal company asks its staff to put themselves into dangerous situations, while never looking at the goods, or asking questions. She is the newbie at the delivery company, Cloudpunk. Life in the sprawling city of Nivalis is a lonely existence, especially when you are new to town and have no friends.ĭeveloped by ION LANDS and published by Merge Games this story-based exploration game has you controlling Rania. My latest review title uses these ideals as the backbone of its theme, Cloudpunk represents the vision of the future with its grimy scenes, and ever glowing neon lights. The gaming industry has also created many futuristic titles that have been loved and loathed in equal measures.

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What I envisaged all those years ago has formed the plot of many a Sci-Fi film and TV series. I think you’ll agree with me that some of these things have come true, but most unfortunately have not. Hover cars, androids taking over all the basic tasks, living on Mars and the moon, and ways to talk and see people no matter how far they were away. Growing up in the 80s, I had some rather fantastic visions for what the future would hold.

Cloudpunk review